More fruit and brass! I started this piece in New Harmony. Our goal was to paint this still life in about an hour and a half. I knew I had to get the brass done as I wouldn't have access to it after that day. I wanted to get the fruit laid in and get the values and shadowing correct. Like a big dummy, I didn't take a photo of the still life so when I got back to the studio I was kinda flying by the seat of my pants.
In addition to the overwhelming amount of great information that was passed on, the art of glazing and the use of a fan brush really rocked my world! It's truly the effect I've tried to replicate with simple brushwork and light use of paint. Now comes glazing! By simply applying glaze to your paint it allows you to somewhat color over the existing paint (after it's dry) and add this translucent effect. Using the fan brush allows you to carry thin layers over existing paint and get a gentle blending while softening the edges. The trick is, how much glaze to add to your paint! That will take some time to learn. On this painting I glazed the fruit and the table top. You can see the softness as a result. I also glazed the hotspot area of the brass pot getting it ready to palette knife the final glob.
- Below are the 3 stages this piece went through to get the final outcome.
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| Stage one. The way it looked after the first hour and a half painting from life in New Harmony |
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| Stage 2. First day in my studio re-working the fruit and table top. |
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| Stage 3. Utilized glazing on tabletop and fruit. |
3 comments:
Amazing piece Jim. Great to see its evolution as well. Fascinating insight.
Thanks Tom. CW's workshop was very informative. The effects you can get with glazing really is fun. Plan on using it other things besides fruit!!! Little tired of pears...
I've purchased art from Jim.
His work is hanging in a place in my home where I can, easily, on a daily basis, enjoy its aesthetic lift.
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